DRUM!'s topics - tribe.net

3 Month Darbuka Course now at Fingers of Fury

fingersoffury — Fri, 11 Dec 2009 04:33:39 GMT

Hey gang, just letting you all know that there is now a 3 month darbuka course available on the Fingers of Fury site! Here is the link to check out: http://www.fingersoffury.com.au/three-month-darbuka-course.html Happy Drumming!!!

posted in DRUM! - 0 replies

Cool new darbuka articles at Fingers of Fury!)

fingersoffury — Thu, 05 Nov 2009 02:19:53 GMT

Hey everyone, there are a whole lot of new dabuka related articles on the Fingers of Fury site....check them out! There are also teachers resources and drum solo's there as well;-) Enjoy your drumming, Matt
http://www.fingersoffury.com.au
http://www.darbukaplayer.com
http://www.fingersoffury.com.au/index.php?option=com_content&view=article&id=96&Itemid=16
http://www.darbukaplayer.com/darbuka-lesson/darbuka-percussion-of-the-arabic-world-and-beyond

posted in DRUM! - 1 reply

Why are there so few female drummers?

LeDude — Fri, 08 Aug 2008 18:04:17 GMT

Hi all!

Yesterday when I wrote a reply to a post it struck me: Why are there so few female drummers? I mean a good female drummer is something wonderful, a beautiful sight and simply way cool! No, it's not a fetish of mine, but almost :-)

So: Why are there so few women beating the drums? Any ideas? Comments? Any female drummers around?

I'm so excrutiatingly curious! Gaaaaah!

Regards,

LeDude

posted in DRUM! - 18 replies

High Sierra Drum and Dance Gathering this Sept. 26th and 27th!!

djembemon — Thu, 23 Jul 2009 14:32:56 GMT

High Sierra Drum and Dance Gathering Sept 26th and 27th

Welcome
We’re having a drum gathering in the North Lake Tahoe Area at the lovely Clair Tappaan Lodge will happen Sat Sept 26th and Sun 27th, 2009.
The gathering is intended for those interested in the music and dance of West Africa and to grow together as a community; musically, spiritually, and playfully!

General Info:
Clair Tappaan Lodge is a rustic lodge located near the famous Sugar Bowl Ski Resort in the North Lake Tahoe area. See: Ctl.sierraclub.org for more details.
-Rooms in the lodge are available for $46 taxes included/night/per person. Please contact Clair Tappaan Lodge to reserve your spot for this event.
-Kids 4-13 yrs old are $20/night taxes included.
-Infants/toddlers 3yrs old or less are free
Day Passes: $20/adult includes a lunch ticket
-4-13 yr olds are $5 w/lunch
-3 yr or less are free
Classes are informal, and anyone is welcome to teach or participate.
**For those staying at the Lodge three meals a day will be offered w/a vegetarian option.

Here are some ground rules:

-No private fires.
-Park your car in parking area when not unloading.
-Dogs are allowed on grounds not in building. Owners are responsible for dogs. Please no problem dogs.

What to Bring
Camping gear (unless paying for a bed in the lodge), bowl and spoon, snacks, flashlight, drums, toys (juggling clubs, hoops, or whatever else you fancy).
Clothes for all weather. It will likely be quite hot during the day, but can cool off at night. September in the High Sierras tends to have warm, clear days with colder evenings so bring some shorts and also warm weather clothes.

Workshops
Both morning and afternoon there will be drum and dance workshops in the back yard and in the building- probably after dinner, too! Drum classes can also be arranged at all times in different clearings and rooms. Classes often happen spontaneously, so don’t be shy to ask if you want to learn. Workshops will be posted at the information center within the lodge.

Volunteers
This is your gathering. If staying in the lodge please contribute your energy by volunteering for at least one shift of: kitchen help, clean-up. Please come early or stay late to help set up/clean up if you can!
We’ll have a sign-up sheet posted at the information station to help organize volunteer efforts.

Dinner Circle
There will be a dinner circle every evening. This is our moment to gather as a community and communicate about our needs and offer our blessings, so please come.

Getting There
Clair Tappaan is located at 7000 feet in California's Sierra Nevada. It's 45 minutes west of Reno and one and a half hours drive east of Sacramento just off of Interstate 80. The address is 19940 Donner Pass Road in Norden.
From eastbound I-80, take the exit for Soda Springs/Norden - old U.S. 40 - also called Donner Pass Road. Go 2.4 miles east on Donner Pass Road. The lodge is at 19940 Donner Pass Rd. (old U.S. 40). Look for our sign on your left.
You can use the old, steep footpath (about 40 feet elevation change) leading up to the Lodge's South entrance. Or slightly to the east is easier access to the lodge North entrance. Use the road up to the tri-lodge area. There is a loading/unloading zone (short term parking for drop offs).
Transportation from Reno Airport to Clair Tappaan Lodge
Parking is available on either side of the road.
You can check road conditions online at the CAL-TRANS website.
Mailing Address: Clair Tappaan Lodge, P.O. Box 36, Norden, CA 95724

Contact

Clair Tappaan Lodge
19940 Donner Pass Road
Norden, CA 95724

phone: 530-426-3632
or 800-679-6775
fax: 530-426-0742
ctl@sierraclub.org

posted in DRUM! - 0 replies

Ideas Needed for Drumming Classes for Kids

bambinonymous — Fri, 19 Jun 2009 06:33:35 GMT

Hello,

I've been asked to teach a six week drumming program for children at a local indoor play space, and could use some fresh ideas.

The program is broken into three different classes for the following age levels:

- 6 mo to 2 yrs old (w/ parent participation) - 35 minutes
- 3 to 5 yrs old (w/parent participation) - 45 minutes
- "big kids', ages 6 to 11 yrs old (parents drop off) - 1 hour

The equipment I'll be using for these classes are three gathering drums, several hand drums and various types of shakers, scrapers and rhythm sticks. I also have other different drums that I'd like to introduce and share with the kids, such as native american drums, Indian Tablas, Peruvian Cajons, and a traditional trap set that I'll probably set up on the final day to share with the bigger kids.

If anyone here has taught drumming specifically to groups of kids, what activities did you find were most fun?
Can you recommend any websites or resources related to drumming and children - for me as a teacher... as well as for parents?

I envision this being something like a community drum circle class, but would like to plan some sort of outline in advance to present to parents as well as a structure for me to follow in planning my lessons. Of course, drum circles are free form in nature but it helps to plan in advance cohesive, focused activities to keep children on task. Plus, I find that parents of small children - esp at-home parents - are hungry for information. They really appreciate any extra tips and resources an educator can give them at these sorts of "mommy and me' classes, that they can use beyond the classroom. What I hope to inspire is a love for music making and expression, as well as a positive stress release for my students. Drumming is so beneficial, and I know a class like this will be a great experience!

My background: I'm a Licensed Kindermusik educator with a long, prior career in the alternative/avant scene... I play various instruments, but always connected mostly to drums. Kindermusik is a whole child approach to music and movement education. For the last four years I've taught weekly classes to babies, toddlers, preschoolers and young children, as well as "other abled' children with autism, down syndrome, apraxia etc at a local music school for children. I also facilitate an intergenerational music class for little ones and elders at an assisted living facility.

Any advice for developing a new drumming program for kids would be put to positive use, and most appreciated..
Thank you!

PS: I will be cross posting this in some of my other tribes...

posted in DRUM! - 0 replies

In Praise of Remo Ebony Pin Stripe heads

looppool — Sat, 14 Jul 2007 09:28:16 GMT

Someone in the Middle Eastern drumming tribe said that they loved using
Remo Ebony Pin Stripe Heads on their darbukkas. Someone else wrote in
and said that he remembered those heads as sounding boxy and cardboardy.

I replied with this post and thought it might be a cool way to start a discussion
about favorite head combinations and favorite tuning tricks:

Here 'tis"

888888888888888888888888888888888888888888

Since REMO moved their manufacturing to Mexico, their quality control has been
absolutely terrible. in my experience.

Honestly, If I can't pick an Ebony or normal PinStripe head out of about 5 or 10 of them, I
won't even bother trying to buy them.

From my experience, 8 out 10 Pinstripes are very dead and cardboard sounding right out of the box and most unkowledgeable
drummers just buy them and put them on their drums, which lends creedence to the people who criticize them as being
'boxy' and 'cardboardy' sounding.

Here's how you pick a Pinstripe out:

Holding the untentioned head by the rim , strike it a glancing blow with the side of your thumb.
If you can hear a distinct ringing pitch from the drum, untentioned, BUY IT!!!!!!!
If it sounds dead and pitchless, don't even dream about it. It will never sound good tensioned up
(unless you like a duller, pitchless sound which sometimes can be appropriate)

It will be a rich, warm sound with a distinct melodically discernable pitch if you tune it well (equal tensioning at ever lug
within the natural range of the drum).

Lately, however, on trapset, I am using Aquarian Single Ply Coated heads, top and bottom. They used to be called Satin Finish but
I don't think they are anymore. The brush head is a little smoother than an Ambassador so they sound better for brush playing right out of the box.

I tune them wide open with no muffling, pitched to unisons top and bottom so they have a very distinct and discernable pitch.

I tend to tune to the song I'm recording and usually down in intervals of a fourth in the key of E or A for live
(statistically, they'll sound better in more songs this way but occasionally I'll play a song and hear that the
toms are dissonant, melodically, in which case I just stay off them in the tune.

They really tune up nicely; have a more overtone filled sound but really sound good at low tunings (I use small sized toms
tuned down by and large and they sound huge through a P.A. or miced in a recording studio).

They also do not last as long as Remo Ambassadors (their nearest equivalent), but they have a much nicer brush head
and their consistency is vastly better than Remo, imho.

In a pinch, I'll also use an Ambassador or an Evans single ply (also an excellent drum head).

I still love Pinstripes, however, and use them for more pop things (they're terrible for jazz) and have them on
both of the kits that my students warm up on in my studio.

I wish to hell, just for the sake of image, that someone made a coated single ply black drum head (I know about the
Jack DeJohnette heads but they are too dry sounding and possibly even not made any more).

I'm so into brushes these days that I won't consider using a non coated head.

What do you folks use, head wise? tuning tricks? head picking tricks?

posted in DRUM! - 5 replies

sound proofing

sky — Mon, 15 Dec 2008 01:48:22 GMT

I just got a set of Roland V drums (TD20), hoping I would get by playing them in my apartment. I've been practicing them mostly with head phones or even not on at all, just using them like practice kit and with all windows and doors closed. But I have a 'touchy' downstairs neighbor who is complaining. I think it's the kick that's the issue as I can't imagine the rest of the kit making enough noise to hear outside the apartment.

So my question is;
Does anyone have any ideas about designs for a short riser or some way to pad or somehow to reduce the "thump"?

posted in DRUM! - 6 replies

Some really good women drummers

looppool — Fri, 22 Aug 2008 12:43:43 GMT

I spent five minutes surfing at youtube and came up with these two gems.
I know there's much, much more out there but I thought we'd posit this
discussion in the positive rather than the negative ('why so few female drummers')

Brazillian drummer Vera Figueiredo
http://www.youtube.com/watch?v=yRDQi-b5TqY&feature=related

and

Emmanuelle Caplette (who I assume is french but don't know for sure)

http://www.youtube.com/watch?v=cK4g4WtVe7o&feature=related

Emmanuelle has really impressively clean technique and time!

posted in DRUM! - 18 replies

Who was...

MickD — Fri, 26 Sep 2008 07:07:27 GMT

That conga drummer (female) recently touring with the Regeneration Tour?

posted in DRUM! - 0 replies

SLAPSTICK: a cool new stick invention

looppool — Sun, 31 Aug 2008 23:59:05 GMT

I just got my new SLAPSTICK in the mail and it's really a very hip new invention.

It's a drum stick that has a plastic tip that is attached to a short flexible plastic rod at the end of the drumstick.

This allows you to play the edge of a hi hat or drum and get 16th notes for every 8th note you play.
I'm liking mine so much that I'm going to order a second one. They are about $20 including tax and
shipping and they shipped it really quickly.

Here's a basic overview:

http://www.youtube.com/watch?v=k7ff9tqmHjM&feature=related

Here's 7 time Grammy Award Winner, Paul Wertico demonstrating it:

http://www.youtube.com/watch?v=grs4H04s43s&feature=related

And here's the winner of a recent SLAPSTICK contest with his take on the instrument

http://www.youtube.com/watch?v=HgLEGjhXrew&feature=related

posted in DRUM! - 0 replies

Snare Drum question

Gabriel — Thu, 14 Aug 2008 12:45:10 GMT

So here's the deal - I have a snare drum that I made myself from a 14x14 Tama Artstar II tom. I play mostly in loud situations so it's not terribly noticeable, but there's a persistent rattle that sounds like my snares are kinda hanging off the drum. I took the exact measurements and used extreme care when attaching the throw off, but it's a cheap part that I salvaged from a low quality drum. Also, since I made this drum from a tom, there was no existing snare bed. I have neither the tools nor the woodworking skill to cut a snare bed myself.

Any ideas as to how I can make this thing sound like it's supposed to?

posted in DRUM! - 2 replies

WEIRD BEATER IDEAS at the WEIRD PERCUSSION tribe

looppool — Mon, 17 Sep 2007 10:06:52 GMT

I thought some of you might want to come join (or just read) this cool discussion
about invented and found alternative beaters for drums at the weird percussion tribe.

you don't have to join to read the thread but it would be great if you wanted to.

http://tribes.tribe.net/weirdpercussion/thread/49a9bf8f-5afb-4435-927c-89aa50d0ee0c

yours, Rick, the moderator

posted in DRUM! - 3 replies

Using a side snare?

LeDude — Fri, 30 May 2008 18:41:38 GMT

Hi all

I am rearranging my drumkit and I am thinking about adding a side snare. Before I seriously start to look around, I'd like to learn about your experiences on using a side snare. I am specially interested in answers to the following questions:
- What brand do you suggest? (best cost-value ratio, no high end stuff)
- How can a side snare be mounted and which way is best?
- Where is your side snare positioned?
- How much does a side snare provide new possibilities / varieties in playing? (I am playing Funk, Rock, Pop, with Jazz influences)

Thanks in advance for your comments.

Regards,

LeDude

posted in DRUM! - 5 replies

Best drummers in rock

Dan — Thu, 12 Jan 2006 08:03:41 GMT

Here's my top five:
1. Neal Peart, Rush (by far, the best drummer in rock, period!)
2. John Bonham, Led Zeppelin (the original basher, but Peart definitely expounded on what he brought to the table)
3. Keith Moon, The Who (played like a man possessed, and kind of was in real life)
4. Mike Portnoy, Dream Theater (the best of the young breed. This guy doesn't even need to solo for his *beep* to be amazing!)
5. Phil Collins, Genesis (could not only jam, but could also sing while playing)

Just missed the cut:
6. Bob Bruford, Yes (part of a super-talented group, and a big Dream Theater influence. Love the time-changes.)
7. Ginger Baker, Cream (unlike Bill Ward, can still jam for an old guy)
8. Mitch Mitchell, Jimi Hendrix Experience (drummers and musicians know how great he was backing Jimi. Even played the Buddy Miles/Band of Gypsys stuff great)
9. Dave Lombardo, Slayer (Slayer is my favorite band, and he revolutionized metal drumming. A definite influence on me and many others in this generation)
10. Nikko McBrain, Iron Maiden (can still bring it after all these years. And, doesn't need a double-bass pedal, either. Up the Irons!)

Best current (metal/hard rock):
1. Portnoy
2. Lombardo
3. McBrain
4. Scott Travis, Judas Priest (the beat drummer Priest has ever had, and they're even heavier thanks to him)
5. Charlie Benate, Anthrax (often overlooked, but still one of the best drummers in metal)
5a. Dave Grohl, Foo Fighters (would have made the list but is more of a frontman now. However, can't discount his Nirvana years and the Probot CD. A phenomenal musician)

Most overrated:
1. Lars Ulrich, Metallica (he's the reason I bought a drum set, but once you learn the drums, you realize that his *beep* isn't all that spectacular. A better buisnessman than a drummer, and even that's debatable (see: Load CD, Napster lawsuit))
2. Alex Van Halen, Van Halen (Hot for Teacher was great. Anything else? Was given props because of his last name and the band he was in)
3. Ringo Starr, The Beatles (Pete Best was better. A legend only because he was a Beatle)
4. Peter Criss, KISS (Eric Carr and Eric Singer each blew him out of the water)
5. Bill Ward, Black Sabbath (he wasn't even the best drummer the band's ever had (Cozy Powell, Vinnie Appice, Singer, Mike Bordin, even *gasp* Bev Bevan). Only revered because he was an original member of the metal pioneers)

Drummers unite!

posted in DRUM! - 61 replies

Preferred kit size?

LeDude — Wed, 30 Apr 2008 07:59:39 GMT

Hi all

In the nineties I bought a large Pearl kit. Sind quite a few years I was in and out of drumming business for some time now. A year ago I started to play regularly again.

Although there are still a lot of drummers who use larger kits, I got the impression that more and more dummers play on a small, almost minimalistic kits consisting only of bass, snare, one tom and the average bunch of cymbals.

It is clear to me that a small kit has many advantages, but only few disadvantages. Still, I have some questions:
- Is this some fad, a temporary fashion thing? Or is the average drum kit size really changing?
- What do you personally prefer? Small or medium / large kits?
- Any other comments on this?

Thanks in advance. Carry on battering those foils and skins :-)

Regards,

LeDude

posted in DRUM! - 17 replies

Killer Vintage Tama Superstar Kit for Sale

BAD dog — Wed, 30 Jul 2008 05:23:30 GMT

Okay all you Vintage Tama Superstar Fanatics . . .

Fore Sale:

TAMA Superstar Xtra series drums . . . arguably the greatest drum set of the 80s and still hailed as the best drums TAMA ever made.

I am the original owner, I special ordered all but the 18-inch floor tom, and I've kept them in hardshell cases when not in use.

e-mail me and I'll send you a PDF with pics of the kit.

This kit is in far better condition than any I've seen anywhere with only minor nics here and there from use.

* * * $3000.00 CASH * * *

The Super Mahogany finish is a dark brown transparent lacquer over all birch shells. Tons of wood grain and super high gloss.

Keeping this kit in cases has really paid off in terms of preserving the amazing beauty.

Built to last, gigantic sound, and stunning good looks.

You will not find another kit of Xtras this age, as complete, in as good condition , from an original owner, with cases and matching titan stands.

The kit includes the following:

- Seven TAMA Xtra Series Superstar drums - with Anvil cases - listed as Depth then Diameter.

9 x 10 Xtra tom

11 x 12 Xtra tom

12 x 13 Xtra tom

13 x 14 Xtra tom

16 x 16 Xtra floor tom

16 x 18 Xtra floor tom

16 x 24 Xtra Virgin Bass Drum (has no tom mount and never did) with a heavy duty padded zip case.

- Two Titan double-leg construction, double-tom stands with one cymbal boom attachement each - all proper 80s period.

- One yamaha hi-hat stand with clutch.

- One Anvil roll-away hardware case

* * * $3000.00 CASH * * *

Pick up in Campbell California only

USA Buyers Only - no exceptions.

No Trades.

$3000.00 CASH and this awesome drum set is all yours.

Phone: 408 691 - 3781 Serious buyers only, please :- )

posted in DRUM! - 0 replies

´HOW FREQUENTLY DO YOU CHANGE YOUR DRUMSET CONFIGURATION

looppool — Sat, 17 May 2008 23:37:13 GMT

This was a cool question asked in the last thread and I thought it warranted it's own thread.

Back in the 80's when I always had a roady for my regionally successful New Wave band, Tao Chemical,
I always used to drive my techs crazy because I constantly changed my drum (and electronics and keyboard)
set ups for every gig.

I still love to break it up a bunch, but I mostly do that by cymbal choices (I get bored easily) and
, in particular, snare drum choices on gigs.

Over the years, I've amassed a nice collection of very versatile snare drums (from custom built 6",8" and 10" 'jungle/hip hop* snares
to field marching drums and coliseum drums.

I just love snares. I even played a lot with my wife's band, Lackadaisy with a weird but fun set that had 7 snares (and no toms)
on it...............all set up to look like a normal drum set in sizes, but used, specifically, to reproduce the sound of individual songs
of the record I produced for them (which I didn't play the drums on, Sue Cole had that honor)

That was a kick. I also had three sets of hi hats 8" 12" and 16" to simulate different production aesthetics.

Boy, did you have to remember to turn the snares off on THAT kit.

How about you all: How frequently do you change the configuration of your drumset when playing out.

posted in DRUM! - 7 replies

Mickey Hart Catalog Re-Issue, New DVD and Summer Tour News!

jeff — Thu, 29 May 2008 23:14:10 GMT

Hey everyone,

We just wanted to give you an update of what is going on in the world of Mickey Hart. We have a ton of exciting news to share with all of you.

This Spring, Shout Factory released The Mickey Hart Collection which includes the Grammy winning Planet Drum in addition to At The Edge, Diga Rhythm Band, Superlingua, and Mystery Box. Hart's Planet Drum won the first ever World Music Grammy and still stands as one of the genre's benchmark albums.

Next, Star City Recording has just released brand new new Rhythm Devils DVD which was filmed in Chicago during their fall tour in 2006. The Rhythm Devils featured Mickey Hart, Bill Kreutzmann (Grateful Dead), Mike Gordon (Phish), Steve Kimock, Sikiru and Jen Durkin. With original material from Robert Hunter and the band, this experience is unlike any other concert. This 2 DVD set also features a gorgeous 24 page hardcover book. The DVD is available now on Star City's website and will also be available on Hart's summer tour. Click the link below for the store...
http://www.starcityrecording.com/store.html

Finally, Mickey Hart will be touring with The Mickey Hart Band this summer around the country hitting major festivals and some great venues as well. The Mickey Hart Band features Steve Kimock on guitar, George Porter Jr on bass, Jen Durkin on vocals, Walfredo Reyes Jr on drums, and talking drum master Sikiru Adepoju. For more information on tickets and VIP access to these shows, please check the Mickey Hart website...
http://www.mickeyhart.net

Here are the Summer Tour Dates..

06.06.08 | Harmony Festival | Santa Rosa, CA
06.08.08 | Wakarusa Festival | Lawrence, KS
07.02.08 | Southgate House | Newport, KY
07.03.08 | Rothbury Festival | Rothbury, MI
07.04.08 | Nelson Ledges Quarry Park | Garrettsville, OH
07.05.08 | Lakeview Music Festival | Chicago, IL
07.06.08 | Summerfest | Milwaukee, WI
07.08.08 | Calvin Theater | Northampton, MA
07.09.08 | Birchmere | Alexandria, VA
07.10.08 | Community Theatre at Mayo Centre | Morristown, NJ
07.11.08 | Penn's Peak | Jim Thorpe, PA
07.12.08 | Great South Bay Music Festival | Patchogue, NY
07.15.08 | The FIllmore NY @ Irving Plaza | New York, NY
07.17.08 | Thursday in the Square | Buffalo, NY
07.18.08 | Magic City Music Hall | Johnson City, NY
07.19.08 | Palace Theatre | Greensburg, PA
07.20.08 | Rams Head Live! | Baltimore, MD
07.22.08 | The Vogue | Indianapolis, IN
07.23.08 | Slowdown | Omaha, NE
07.24.08 | 10,000 Lakes Festival | Detroit Lakes, MN

http://www.mickeyhart.net
http://www.myspace.com/mickeyhartmusic
http://www.youtube.com/mickeyhartmusic
http://www.shoutfactory.com/browse/152/mickey_hart.aspx

posted in DRUM! - 0 replies

looking for my replacement in SF rock band

erock77 — Wed, 28 May 2008 14:37:22 GMT

So we're looking for a replacement drummer right now. The band is Dirty Orange Sun, it's heavy grungy rock. I love the music we're writing, I'm just not willing to go "all the way" like the other guys, and I can't tour due to health concerns, so I'm bowing out now, plus I want to move to San Diego. It's a 3-piece with a very full sound, we gig around the bay area regularly and have an arsenal of about 15 songs. The other 2 want music to be their livelihood. I'm still playing for the band until another drummer is up to speed on the songs. There will be artistic freedom to write your own drum parts, though it can be taken/influenced from what I've done.

Things are still a bit early in the progression, we released our first EP this year and are just now putting together promo packs to send around.

We're looking for a drummer with mad skills (which it sounds like you have) but can jam and play with the music appropriately, no need to show off mad skills when only a simple beat is needed.

Let us know if you'd like to try out. You can check us out at www.myspace.com/dirtyorangesun , the video represents our more recent direction.

Eric

posted in DRUM! - 0 replies

Digital Drums (Roland TD-20)

LeDude — Mon, 05 May 2008 19:47:41 GMT

Hi all

There's a question I am thinking about since a few months.

I played the Roland TD-12 in a music shop and I really liked it. It's different from a real drum, true, but in my opinion it's as good as it can get.
I especially like the many possibilities of sounds and drumkits this machine can produce. I regard it as some cool way to play a drum and having many ways to experiment. I am thinking about buying the TD-20 some time in the future. The only thing I really dislike is the looks of that kit. It looks so ... so..... so....crappy :-)

Now on my questions:
- Did or does anyone here play on the Roland TD-12 or TD-20? If so, what is your opinion?
- What do people think in general about Digital Drums?

Thanks in advance for your replies.

LeDude

posted in DRUM! - 2 replies

Greatest rock'n'roll drummers

Doug — Mon, 31 Mar 2008 17:49:37 GMT

One of the greatest rock'n'roll drummers, Richie Heyward, is not on anyone's list because he plays in one of the best and most underrated bands in rock history, Little Feat. I would love to see Feat, and the talented musicians that have played in it, get their due.

posted in DRUM! - 1 reply

Attention: TRAP KIT DRUMMERS ! Rock band in SF Needs you

Rozykross — Sun, 16 Dec 2007 01:10:56 GMT

WE NEED A DRUMMER FOR OUR SF BAND...

THIS IS NOT A PAID SESSION PLAYER POSITION. WE ARE SEEKING A BAND MEMBER.

We are an Indie/Alt Rock band (4 piece: 1 vocalist/rhythm guitar, lead guitar, bass, prospective drummer) based in San Francisco seeking a drummer. Our influences:
PJ Harvey, Zeppelin, Jeff Buckley, Muse, Coldplay, U2, Hendrix, The Mars Volta, delta blues, spanish and middle eastern music, and many others.

Must be available to practice 2x per week (currently Wed & Fri nights - or can do Mon/Wed's too) in our SF studio. Must have a reasonable # of years experience playing in other bands and be able to quickly learn by ear all of our current songs from our CD. Hand percussion is a plus too!

Also necessary that you live in the SF, Oakland/Berkeley or Marin areas, have own transportation, full drum kit, and be 30 + yrs of age. No drugs or alcohol problems. Prefer a non-smoker. Must have 9-5 day job, we need your availability for our evening gigs! (Ideally looking for someone who can contribute to our studio space as well)

You can check our page at: www.Myspace.com/AmalgamationMusic
for music and other information.

~We’re looking forward to meeting you~
PS. PLEASE SPREAD THE WORD IF YOU KNOW SOMEONE ELSE WHO MAY BE INTERESTED. THANK YOU !

Please call us to set up a time to play/audition: 415-563-7942 Robin

posted in DRUM! - 0 replies

African Version of Surdo

LaDonna — Mon, 29 Oct 2007 07:06:46 GMT

Stupid question on board! I recently attended a house party where there was a drum n DJ jam session going on. Being proficient in samba, I spotted a cute little drum..about 2 1/2 to 3 ft. high, big head, slightly smaller bottom, with a mallet sitting all by it's lonesome and just had to try it. It sounded really good and I had a lot of fun playing it. My current problem is, rookie that I am, I just still haven't learned all of the different drum names..like that's possible anyway. I have tried internet searches and haven't come up with anything. Can anybody throw me some possibles to look up? It was made from natural materials and had an animal skin head, I believe. It wasn't an ewe, by the way. I know that one.

posted in DRUM! - 4 replies

Djembefola.com re-launched - New articles, layout videos etc

James — Mon, 12 Nov 2007 19:48:37 GMT

Hi guys,
I am re-launching my website http://www.djembefola.com

It's all about West African djembe and dun dun drumming from West Africa.

We provide free online lessons and cultural background as well as forum for discussion.

I hope to see you round

James :)

posted in DRUM! - 0 replies

Alex Van Halen

Doug — Tue, 06 Nov 2007 01:12:03 GMT

Much like his brother Eddie, he sounds good on recordings, but those do not hold a candle to what he can do live. I saw them live this past Saturday, and Alex did a 10 minute long improv solo. It was one of the most amazing, astounding, complex, creative, beautiful (enough adjectives?) things that I have ever heard. It was too good to describe. The rhythms were so complex that you couldn't even process them. It was almost to good to be true. Now, you may discredit me because I am a 13 year old kid, but (not to brag), but I know more about classic rock than any kid my age. In conclusion, Alex Van Halen is NOT OVERRATED! If anything, he is far UNDERRATED. Do yourself a favor, and see them play live before criticizing, because (as good as they are), the recordings do not say anything about the musical genius of the Van Halen brothers

posted in DRUM! - 1 reply

Live Looping Article in latest issue of DRUM! Magazine

looppool — Sun, 12 Aug 2007 21:09:16 GMT

I'm proud (and excited) to announce that I was interviewed as part of a
extensive 6 page article on Live Looping in the current issue of DRUM! Magazine.

It's an excellent primer for anyone who is interested in exploring this world.
Norm Weinberg did a fantastic job. In it, he contrasts the methods and approaches
I use in looping with that of my freind, the beat boxer/human voice orchestra extraordinaire,
Kid Beyond.

In a very long professional career as a trapset drummer and multi-percussionist, it is the first time
I've ever been in a drum magazine. I feel giddy, like a little kid!

posted in DRUM! - 1 reply

We lost a living legend...RIP Max Roach

Fri, 17 Aug 2007 15:17:44 GMT

Max Roach, Master of Modern Jazz, Dies at 83

By PETER KEEPNEWS
Published: August 17, 2007

Max Roach, a founder of modern jazz who rewrote the rules of drumming in the 1940s and spent the rest of his career breaking musical barriers and defying listeners’ expectations, died early yesterday in Manhattan. He was 83.

His death, at an undisclosed hospital, was announced by a spokesman for Blue Note Records, Mr. Roach’s last label. No cause was given. Mr. Roach, who had lived on the Upper West Side for many years, had been known to be in poor health for some time.

Mr. Roach’s death closes a chapter in American musical history. He was the last surviving member of a small circle of adventurous musicians — among them Charlie Parker, Dizzy Gillespie, Thelonious Monk and a handful of others — whose innovations brought about wholesale changes in jazz during World War II and immediately afterward.

Their music, which came to be known as bebop, had its roots in the jazz tradition, but it was different enough to scandalize many listeners and even many of their fellow musicians. Its rhythms were more jagged and unpredictable; its harmonies were more advanced, at times dissonant; its technical demands could be daunting. Despite the skepticism and hostility they initially inspired, the beboppers established the template for how jazz was played for decades to come.

Mr. Roach, a percussion virtuoso capable of playing at the most brutal tempos with subtlety as well as power, was an important architect of this musical revolution. He remained adventurous, and modern, to the end.

Mr. Roach challenged both his audiences and himself by working not just with standard jazz instrumentation but in contexts well beyond the confines of jazz as it is generally understood.

He led a “double quartet,” consisting of his working group of trumpet, saxophone, bass and drums plus a string quartet. He led an ensemble consisting entirely of percussionists. He played duets with avant-gardists like the pianist Cecil Taylor and the saxophonist Anthony Braxton. He performed unaccompanied. He wrote music for plays by Sam Shepard and dance pieces by Alvin Ailey. He collaborated with video artists, gospel choirs and hip-hop performers.

Mr. Roach explained his philosophy to The New York Times in 1990: “You can’t write the same book twice. Though I’ve been in historic musical situations, I can’t go back and do that again. And though I run into artistic crises, they keep my life interesting.”

He was in historic situations from the beginning of his career. He was still in his teens when he played drums with the alto saxophonist Charlie Parker, a pioneer of modern jazz, at a Harlem after-hours club in 1942. Within a few years, Mr. Roach was himself recognized as a pioneer.

He was not the first drummer to play bebop — Kenny Clarke, 10 years his senior, is generally credited with that distinction — but he quickly established himself as both the most imaginative percussionist in modern jazz and the most influential.

In Mr. Roach’s hands, the drum kit became much more than a means of keeping time. He saw himself not just as a supporting player but as a full-fledged member of the front line.

Layering rhythms on top of rhythms, he paid as much attention to a song’s melody as to its beat. He developed, as the jazz critic Burt Korall put it, “a highly responsive, contrapuntal style,” engaging his fellow musicians in an open-ended conversation while maintaining a rock-solid pulse. His approach “initially mystified and thoroughly challenged other drummers,” Mr. Korall wrote, but it quickly earned the respect of his peers and established a new standard for the instrument.

Mr. Roach was an innovator in other ways. In the late 1950s, he led a group that was among the first in jazz to perform pieces in waltz time and other unusual meters in addition to the conventional 4/4. In the early 1960s, he was among the first to use jazz to address racial and political issues, with works like the album-length “We Insist! Max Roach’s Freedom Now Suite.”

In 1972, he became one of the first jazz musicians to teach full time at the college level when he was hired as a professor at the University of Massachusetts at Amherst. And in 1988, he became the first jazz musician to receive a so-called genius grant from the MacArthur Foundation.

Maxwell Roach was born on Jan. 10, 1924, in the small town of New Land, N.C., and grew up in the Bedford-Stuyvesant section of Brooklyn. He began studying piano at a neighborhood Baptist church when he was 8 and took up the drums a few years later.

Even before he graduated from Boys High School in 1942, savvy New York jazz musicians knew his name. As a teenager he worked briefly with Duke Ellington’s orchestra at the Paramount Theater and with Charlie Parker at Monroe’s Uptown House in Harlem, where he took part in jam sessions that helped lay the groundwork for bebop.

By the middle 1940s, he had become a ubiquitous presence on the New York jazz scene, working in the 52nd Street nightclubs with Parker, the trumpeter Dizzy Gillespie and other leading modernists. Within a few years he had also become ubiquitous on record, participating in such seminal recordings as Miles Davis’s “Birth of the Cool” sessions in 1949 and 1950.

He also found time to study composition at the Manhattan School of Music. He had planned to major in percussion, he later recalled in an interview, but changed his mind after a teacher told him his technique was incorrect. “The way he wanted me to play would have been fine if I’d been after a career in a symphony orchestra,” he said, “but it wouldn’t have worked on 52nd Street.”

Mr. Roach made the transition from sideman to leader in 1954, when he and the young trumpet virtuoso Clifford Brown formed a quintet. That group, which specialized in a muscular and stripped-down version of bebop that came to be called hard bop, took the jazz world by storm. But it was short-lived.

In June 1956, at the height of the Brown-Roach quintet’s success, Brown was killed in an automobile accident, along with Richie Powell, the group’s pianist, and Powell’s wife. The sudden loss of his friend and co-leader, Mr. Roach later recalled, plunged him into depression and heavy drinking from which it took him years to emerge.

Nonetheless, he kept working. He honored his existing nightclub bookings with the two surviving members of his group, the saxophonist Sonny Rollins and the bassist George Morrow, before briefly taking time off and putting together a new quartet. By the end of the ’50s, seemingly recovered from his depression, he was recording prolifically, mostly as a leader but occasionally as a sideman with Mr. Rollins and others.

The personnel of Mr. Roach’s working group changed frequently over the next decade, but the level of artistry and innovation remained high. His sidemen included such important musicians as the saxophonists Eric Dolphy, Stanley Turrentine and George Coleman and the trumpet players Donald Byrd, Kenny Dorham and Booker Little. Few of his groups had a pianist, making for a distinctively open ensemble sound in which Mr. Roach’s drums were prominent.

Always among the most politically active of jazz musicians, Mr. Roach helped the bassist Charles Mingus establish one of the first musician-run record companies, Debut, in 1952. Eight years later, the two organized a so-called rebel festival in Newport, R.I., to protest the Newport Jazz Festival’s treatment of performers. That same year, Mr. Roach collaborated with the lyricist Oscar Brown Jr. on “We Insist! Freedom Now Suite,” which played variations on the theme of black people’s struggle for equality in the United States and Africa.

The album, which featured vocals by Abbey Lincoln (Mr. Roach’s frequent collaborator and, from 1962 to 1970, his wife), received mixed reviews: many critics praised its ambition, but some attacked it as overly polemical. Mr. Roach was undeterred.

“I will never again play anything that does not have social significance,” he told Down Beat magazine after the album’s release. “We American jazz musicians of African descent have proved beyond all doubt that we’re master musicians of our instruments. Now what we have to do is employ our skill to tell the dramatic story of our people and what we’ve been through.”

“We Insist!” was not a commercial success, but it emboldened Mr. Roach to broaden his scope as a composer. Soon he was collaborating with choreographers, filmmakers and Off Broadway playwrights on a variety of projects, including a stage version of “We Insist!”

As his range of activities expanded, his career as a bandleader became less of a priority. At the same time, the market for his uncompromising brand of small-group jazz began to dry up. By the time he joined the faculty of the University of Massachusetts in 1972, teaching had come to seem an attractive alternative to the demands of the musician’s life.

Joining the academy did not mean turning his back entirely on performing. In the early ’70s, Mr. Roach and seven other drummers formed M’Boom, an ensemble that achieved tonal and coloristic variety through the use of xylophones, chimes, steel drums and other percussion instruments. Later in the decade he formed a new quartet, two of whose members — the saxophonist Odean Pope and the trumpeter Cecil Bridgewater — would perform and record with him off and on for more than two decades.

He also participated in a number of unusual experiments. He appeared in concert in 1983 with a rapper, two disc jockeys and a team of breakdancers. A year later, he composed music for an Off Broadway production of three Sam Shepard plays, for which he won an Obie award. In 1985, he took part in a multimedia collaboration with the video artist Kit Fitzgerald and the stage director George Ferencz.

Perhaps his most ambitious experiment in those years was the Max Roach Double Quartet, a combination of his quartet and the Uptown String Quartet. Jazz musicians had performed with string accompaniment before, but rarely if ever in a setting like this, in which the string players were an equal part of the ensemble and were given the opportunity to improvise. Reviewing a Double Quartet album in The Times in 1985, Robert Palmer wrote, “For the first time in the history of jazz recording, strings swing as persuasively as any saxophonist or drummer.”

This endeavor had personal as well as musical significance for Mr. Roach: the Uptown String Quartet’s founder and viola player was his daughter Maxine, who survives him. Mr. Roach, who was married three times, is also survived by two other daughters, Ayo and Dara, and two sons, Raoul and Daryl.

By the early ’90s, Mr. Roach had reduced his teaching load and was again based in New York year-round. He was still touring with his quartet as recently as 2000, and he remained active as a composer.

For all his accomplishments, Mr. Roach often said that he was proudest of the role he played in raising the profile of his instrument. “I always resented the role of a drummer as nothing more than a subservient figure,” he said in a 1988 interview with the writer Mike Zwerin. “The people who really got me off were dealing with the musical potential of the instrument.”

posted in DRUM! - 3 replies

To Drum or Not to Drum? That is the question.

Gary — Wed, 08 Aug 2007 20:41:32 GMT

There is a phase in my musical life that I have repeatedly been bouncing back and forth in for too long. I just keep going to and fro when it comes to wanting to play. I just cannot keep the inspiration any more. It is almost as though I have lost it all entirely. Sometimes I just have to tell myself to have the discipline to get behind some drum or another and play the thing. But I have to always have reason to. Time has changed me too much. In my teens I was a genius musicly
I loved to play alone, with others even without a drum parts ran in my head all the time. Now unless I have obligation I don't do anything. I know it is a part of me still. I know this because I have fun when I commit to playing and play with others. But to get off my ass at home and rehearse or just jam alone feels like work. I also feel myself sucking incredibly comparatively to what I once could do. I cycle back and forth, playing for a while and not.

The job is a problem it is very physically and mentally demanding. I took a position were I am for the purpose of having week ends available for performing and I don't. The position simply leaves me too exhausted. The home life is hard too. The children are at an age where they require lots of time.

It is hard when the thing I love to do most becomes something I don't wish to do despite my love for it. I thought going to the Rush concert would provide some inspiration but it did not. It was a great show but it did not provide the cure all pill I hoped it would.

Am I to follow the lazy sentiment of the day that consumes me, or do I push myself to drum without a band, show or small party obligation to motivate me? Which is truly following my heart? I want to be lazy it makes me happy but I don't want to give up it makes me sad. I know thats weird.

Any way Garison Out.

posted in DRUM! - 4 replies

Favorite modulation?

rhythmincrescendo — Wed, 30 Aug 2006 01:24:15 GMT

I feel a need to get this forum going.

I was curious if anybody had any really cool modulations or beat displacements that they like to use. I just recently came into it and am having a blast figuring this wacky shit out. My favorite one so far is going from a 4/4 rock groove to a 3/4 grouping that is shifted one 16th note back( so it actually starts on the "da" of beat 4 on the last bar of 4/4) and lasts for 3 bars.

posted in DRUM! - 8 replies

Bay Area Drums and Percussion Forum

kerzon — Wed, 18 Jul 2007 21:16:49 GMT

After a long hiatus, the Bay Area Drums and Percussion Forum (BADAP) has found a permanent home and is back up and running. All Bay Area drummers and percussionists (working musicians, teachers, retailers, newbies, pros) are welcome to come help build a Bay Area drumming community.

http://www.badap.net

posted in DRUM! - 0 replies

Playing cymbals with hands?

David — Fri, 04 May 2007 02:15:21 GMT

I just bought a Sabian AAX hand crash. Love the sound, Nice long clear beautiful, and I like the ride Part, sounds great and not too loud for an acoustic Jam.

Now the question. Looking for a Splash that sounds out when played by hand?
What do I buy?
Short sweet loud enough splash.
I'd say 12", and thin?
I play two congas, and a Tumba
With a dead Style / blues, Guitar player, very free fourm Jam.
And I am Just trying to add to the sound alittle.
Little more fun.

posted in DRUM! - 8 replies

Anyone use this?

Thu, 28 Jun 2007 20:43:11 GMT

http://www.drumtech.com/dts.html

As cool as it could be I have a feeling it would ultimately end up in a box collecting dust if i got them. These things never seem to be as good as they seem.. I learned this from the May micing system.

posted in DRUM! - 2 replies

Drum and Dance Event!

Junie — Tue, 12 Jun 2007 01:02:19 GMT

The M Room
Friday, June 22nd
8pm to Midnight

Opening Ceremony at 8:45pm

Live/DJ'ed Dance Music * Dancing!
Drum Circle * Pot-Luck * Interactive Art
Massage * Closing Meditation

Held at and co-sponsored by the
Center for Conscious Living
471 Pleasant Valley Way, West Orange, NJ(at Eagle Rock Ave).

$10 Entry
Bring a drum, meditation mat/blanket,
healthy finger food to share, dancing feet,
and a smile.

973.728.2112www.theMroom.com <- more details

Connect with us at Tribe: tribes.tribe.net/themroom
Connect with us at MySpace: www.myspace.com/themroom

PS flyer attached.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

To jump on or off the M Room email list, send a note to contact2@theMroom.com.

posted in DRUM! - 0 replies

DIY Drum Trigger How to.

Fri, 01 Jun 2007 21:30:31 GMT

I made myself some triggers last night. I documented & made a basic (how to) along the way. This might be helpful to someone here.

http://www.rhythminmind.net/trigger/trigger.html

posted in DRUM! - 0 replies

Drumming Masters: How To Find Them

LaDonna — Wed, 04 Apr 2007 01:35:07 GMT

So, I am on a mission to continue learning as much about drumming as possible. I am having difficulty in figuring out how to locate drumming masters here in the states. Is there a comprehensive website that keeps track of these drumming gurus and how to contact them? I hear a lot of names bandied about by people; it's hard to keep track sometimes. I have been studying Brazilian samba in the past 2 years, playing surdo, but want to get more serious about African; particularly the bata and ewe drums. Any suggestions would be great. Thanks!

posted in DRUM! - 6 replies

Grooves that turn your playing around....

rhythmincrescendo — Wed, 18 Oct 2006 17:40:49 GMT

There are some grooves, i have found in drumming, that actually turn your playing around and give you a few new weapons in the arsenal with regard to speed, versatility, and all around comfort on the kit.

http://www.drummerworld.com/Videos/jeffporcaroshuffle.html

Give the roseanna half time shuffle a little of your time in the shed if you haven't already. Making this groove feel like porcaro does has been one of my most endearing challenges on the kit yet.

posted in DRUM! - 2 replies

Az Musicians Tribe

Mike — Mon, 30 Apr 2007 16:31:15 GMT

I created this tribe for musicians and vocalists to network, create bands, find people to jam with, etc. All Arizona musicians and vocalists are invited to join!

http://tribes.tribe.net/am?_click_path=Application%5Btribe%5D.Tribe%5Bf4edf4fa-e14d-4a27-8c1d-3ec987bff266%5D

posted in DRUM! - 0 replies

FireDrums V ~ Cinco de Mayo weekend

sky — Wed, 11 Apr 2007 22:58:36 GMT

This will be our fifth FireDrums gathering and we've planned more workshops for fire and flow arts, drumming, yoga and even a Reiki circle. The Santa Cruz redwoods are both incredibly energizing and yet at the same time magically peaceful and serene. This being our fourth year and the fifth gathering, we have grown a wonderful collective of volunteers to help organize and make this opportunity the best possible learning and sharing experience. Please check out the web site and tribe @ ~ http://firedrums.org ~ http://firedrums.tribe.net

posted in DRUM! - 0 replies

Dun Dun sets for sale

Joe — Wed, 11 Apr 2007 03:49:17 GMT

I have two finished sets of three dun duns ready to go. They were built here in Humboldt County from local wood and local cow skins. They are professional grade. send me a message if you're interested.

posted in DRUM! - 0 replies

Call to Austin Texas Drummers for 1st Thursday show

AmberBarbara — Sat, 24 Mar 2007 23:10:11 GMT

Hi All,

WyldeFyre Productions puts on a live show every 1st Thursday at Amy's Ice Cream on Far South Congress. The next show is April 5, 2007. The event opens at 6 with fire spinning classes, then belly dancing performances, then we have fire dancing performances & then we have open performance with live drumming & dancing (all types). We need live drummers (all style welcome - middle eastern is great for the belly dancers, african for the fire dancers, etc) & dancers (belly dancers, fire dancers or other ethnic dancers are all wanted). Please feel free to email me at AmberBarbara@hotmail.com or here within Tribe / Austin / AmberBarbara for more information.

I hope the drummers can make it out with us. Live drumming makes the show for me!

Ethnic Drumming & Dancing exhibitions/performances will also be considered.

Thanks in advance,

AmberBarbara

posted in DRUM! - 0 replies

drumSTRONG needs your support!!!

WhiteFire (Neidra) — Thu, 08 Mar 2007 07:03:08 GMT

drumSTRONG is a unique, multicultural charity event held in the pastures of Misty Meadows Farm to raise funds to support those dealing with cancer, cancer education, awareness, and funding for research. It will involve people of all ages and “walks of life” but educating youth to the causes, early detection and affects of cancer is one of our primary missions and we know this event will enlighten a lot of young people and spark involvement.

The Guinnesss World Record organization has been informed that drumSTRONG drummers (and others) will keep continuous rhythm in motion for at least 24 hours starting on May 5, 2007 just outside of Charlotte, NC.

Along with local high school and college drum corps, a horde of professional artists have been invited to participate. Full stage and backline support will be on site and all present will play along with center stage activities.

health fair
There will be an area at the event with tents and tables where various health (and other) organizations will have a venue to convey their missions and methods to a large group of people. Few people are not "touched" by cancer in some fashion...

DrumsForCures is also organizing a national network of percussionists to bring rhythm into children's hospitals and clinics for the unifying, healing and entertainment values. We know that it works on many levels.

If nothing else, I’d love for you (family and friends) to come play – drum, sing, dance, enjoy…

Much more info. is shared on the website www.drumstrong.org.

I would greatly appreciate it if you would drop me a line and share your thoughts. Please don't hesitate to call with any questions.

All the best,
Scott

Scott L. Swimmer
drumSTRONG™
DrumsForCures, Inc. Founder and President
725 Providence Rd. suite #210
Charlotte, N.C. 28207
scott@drumstrong.org
704.375.7177 o. 704.996.9170 c.

“We must never be so self-absorbed as to become insensitive to the situation around us. Everyone can do something, beginning with oneself, one’s family, one’s neighborhood. We must always be mindful that ours is one world; improving it in part improves it as a whole.”
Rebbe Schneerson

posted in DRUM! - 0 replies

Bay Area Drums and Percussion Fourm

kerzon — Tue, 27 Feb 2007 10:24:04 GMT

posted in DRUM! - 2 replies

Drumming Workshop with Issam Houshan

Chandani — Mon, 08 Jan 2007 20:04:03 GMT

Saturday February 17th 2007
Norfolk, VA

Presented by
BodyWorks By Chandani
(757) 313-8000
chandani@cheerful.com
www.chandani.net

ABOUT ISSAM HOUSHAN
The union of music and movement is the essence of dance. The union of a musician and a dancer to create a seamless artistic expression is the ultimate manifestation of such a union. Issam Houshan does exactly that. Call him the “Wassan Pharaoun,” “King of the Drum,” or “Mr. Magic Fingers” and you only tell the half of it. His connection to the dancer is the essence of his magic, a merging of egos serving a mutual and identical goal. Issam is now recognized as the ultimate master of this art. An international music star, his past credits include touring with Sting in 2000, performing at the Grammys on the hit single Desert Rose, as well as performing and recording with countless Arab stars. In addition, he has toured with the Mile Copeland-produced Bellydance Superstars, the world’s premiere professional touring bellydancer performance group since 2003, with whom he has appeared in over 1000 shows in 16 countries over the past three years.
A highly accomplished percussionist on assorted Arab hand drums, Issam was formally trained at the Damascus Academy of Music and is the only remaining disciple of the legendary Arab drum master Mahmood Salahadeen. An accomplished and sought-after music instructor, he taught at the Damascus Music Institute for nine years and continues to teach workshops and private lessons around the world. Unequaled in his field, Issam is known by fellow Syrian musicians as the Wassan Pharaoun (Pharaoh of Rhythm) and his al assaben al Sahriha (magic fingers) are currently insured for 10 million dollars (1 million each).
His drum solos with the Bellydance Superstars are major features of each show, as captured in the films American Bellydancer, Solos from Monte Carlo, Bellydance Superstars, 30 Days to Vegas, Behind the Shimmy, and the instructional DVD The Art of the Drum Solo. His CD releases include his own Wassan Pharaoun, The Dancing Drum and Tabel Ya Issam, as well as percussion on the Galactic Caravan albums. For more information, please check out Issam Houshan’s website: www.tablabyissam.com

Workshop Schedule and Description

11:00 am – 12:30 pm: Beginning Drumming workshop for Drummers. Essential Techniques & Rhythms for the Tabla: This class is geared for musicians and will cover basic techniques & drills for the tabla as well as an introduction to Middle Eastern Rhythms. All levels from novice to intermediate and advanced will benefit from Issam’s detailed teaching style.

1:00 – 2:30 pm: Intermediate/Advanced Drumming workshop for Drummers. Issam will teach intermediate/advanced strokes and techniques for the tabla. Issam will also teach a formula for creating drum solos for dancers. ***Attendees of this workshop must possess basic drumming skills***

3:30 – 5:00 pm: Middle Eastern Rhythms and Drumming for Dancers This workshop is geared primarily toward the dancer. Issam will teach the rhythms that are most common in Middle Eastern music so that the dancer may understand the structure of the rhythms and the sounds of the tabla. This knowledge will improve both your choreographed and improvisation performances. ***Attendees do not need drums for this class.

***A limited number of drums will be available on a first-come basis for individuals who do not have their own drum otherwise please bring your own drum.

***All attendees are encouraged to eat a good breakfast and to bring water and snacks to maintain their energy throughout the workshops.

Hafla Saturday Feb. 17th
8:00 – 10:00 pm at the
VA Youth Symphony Orchestra Building (Same location as the workshop)

Featuring Performances by:
Master Musician - Issam
Award Winning Belly Dancer - Samira
All the way from LA - Sorsha
and many more!

Workshop COSTS AND DISCOUNTS:
Beginning Drum Workshop ($35 by Feb 3rd - $45 after Feb.3rd)

Intermediate/Advanced Workshop ($35 by Feb 3rd - $45 after Feb.3rd)

ME Rhythms for Dancers Workshop($35 by Feb 3rd - $45 after Feb.3rd)

Two Workshops ($60 by Feb 3rd - $90 after Feb. 3rd)

All Three Workshops ($95 by Feb 3rd - $135 after Feb. 3rd)

Hafla ($7 for workshop participants)
($10 for non workshop participants)

Workshop held at the:
Virginia Youth Symphony Orchestra (VYSO)
2618 Colley Avenue
Norfolk, VA 23517
(VYSO is the yellow building)
(The old Contes Bicycle Shop)

Click here for the registration form:
www.chandani.net/Issam.htm

FOR MORE INFORMATION OR TO REGISTER PLEASE CONTACT:
Chandani @(757) 313-8000
chandani@cheerful.com
www.chandani.net

posted in DRUM! - 3 replies

video of David Haynes really messing with time in a polyrhythmic exercise

looppool — Thu, 25 Jan 2007 10:57:25 GMT

This cat really knows time!

One of his other videos he plays a drum machine with his finger and does an amazing job.

Who is he?

He has tremendous command of time.

http://www.youtube.com/watch?v=6-4oblWmwUs&NR

posted in DRUM! - 3 replies

[Boston] Drummers & percussionists wanted for circus band

handsome chuck — Thu, 25 Jan 2007 21:41:06 GMT

Our newly formed project is in dire need of people that can lay down a serious groove in the rhythm section, as well as being able to create texture and interact with other performers. We are going to be the musical foundation of a performance troupe, so you can think of us as a kind of sideshow chamber orchestra or circus band. We are pulling from a wide variety of musical styles including, but not limited to, New Orleans brass bands, klezmer, Dixieland, afrobeat, modern jazz (think mingus), ragtime, 19th century marches and old world folk music.

You should be a competent musician with enthusiasm for this project. We are looking for folks that meet any/all of the following descriptions: set drummers who can be extremely versatile, percussionists with experience playing ethnic/world music, people with experience in drum corps/marching/street bands. We are a large band and this is very much a labor of love, so this is not the band for you if you are just a hired gun or looking for a steady paying gig.

Feel free to hit me up with any questions you might have.

x-posted

posted in DRUM! - 0 replies

"The Cummings Report"

William — Fri, 19 Jan 2007 18:47:32 GMT

http://youtube.com/watch?v=R-Kjh-AigbU

14 year old Justin Cummings on electric bass (with his dad (Bill) on Zendrum & uncle (Bob) on Keys. They’re twins)

My son Justin’s only been playing the bass for 18 months, and he taught himself to play this classic Jaco Pastorious (Weather Report) track. I had to double as cameraman, so you only see me (in the way back on ZENdrum) in the first half. Hope you enjoy it, we’ll try to post some more soon.

Bill Cummings

posted in DRUM! - 0 replies

African drums?

blue-j — Tue, 17 Oct 2006 01:31:59 GMT

we need to stop talking about "african drums," giving workshops on "african drums," etc. africa is an enormous continent with ancient and modern traditions, and there is not one style to be called "african." ghana does not equal africa. if we are to do justice to the diversity of peoples and musical styles in the continent, it would be better to be more specific when we talk!

posted in DRUM! - 8 replies

Clear Partitions for Drummers

angus — Fri, 12 May 2006 16:17:50 GMT

Hey whappies,
Saw this in a casino: A clear plexiglass (?) corral around the drummer to better control the sound and mix. Worked great from what I could hear and see. Where can I get one of these? I am currently playing in a small studio with two acoustic guitars and a vocalist - which means I can BARELY PLAY without blowing them away. Where can I get me a cubicle?

posted in DRUM! - 5 replies

community and women's drumming circles in the Bay Area!

Acequia Carrie — Fri, 06 Oct 2006 07:13:40 GMT

***COMMUNITY DRUMMM CIRCLE***
New location and time!!
Beginning Oct. 21st
Every 2nd & 4th Saturday—Oct. 21st, Nov. 4th, Nov. 18th, Dec. 2nd, Dec. 16th…
12:00-1:30p.m.
Drummm Palace (Oakland, CA)

No experience necessary. Drums available or bring your own. All ages,
cultures and abilities welcome. Kids must be accompanied by an adult. Come
early for an introduction to world percussion and rhythms, stay for the
in-the-moment, music-making magic!

$10-15 includes use of drums (sliding scale--pay what you can or suggest a
barter/trade, no one turned away).

Location: Drummm Palace—5229 Claremont Ave, Oakland, CA (in Temescal, 1/2
block east of Telegraph Ave, next to the Kingfish Pub and across from the
Red Sea).

***RHYTHM SISTERS DRUMMING FOR WOMEN & GIRLS***
Every 2nd and 4th Wednesday—Oct. 11th, Oct. 25th, Nov. 8th, Nov. 29th**,
Dec. 6th, Dec. 20th…
(**Note: Due to Thanksgiving holiday, group will meet on the fifth Weds.
of November instead of the fourth)
7:00-8:30pm
Drummm Palace (Oakland, CA)

A special night of drumming for our sisters, mothers and daughters. A
little bit of instruction and away we will go on a facilitated rhythm
journey to places unknown. A great way to find your “voice” on the drum,
connect with others, release stress, and have so much fun you won’t
believe it.

No experience necessary. Drums available or bring your own. All ages,
cultures and abilities welcome. Kids must be accompanied by an adult.

$10-15 includes use of drums (sliding scale--pay what you can or suggest a
barter/trade, no one turned away).

Location: Drummm Palace—5229 Claremont Ave, Oakland, CA (in Temescal, 1/2
block east of Telegraph Ave, next to the Kingfish Pub and across from the
Red Sea).

About the Facilitator...
Jeni Swerdlow is a dynamic and engaging percussionist, drum
facilitator, artist, educator and performer. She is a Registered Art
Therapist (ATR) with over 10 years of experience working creatively
with groups and 15 years of experience working with youth and people
with special needs.
Jeni is the founder of Drummm programs, which feature drum circles,
workshops, school programs and performances to a vast array of
communities and venues. She has been introducing drumming to
professional, educational, therapeutic, cultural and recreational
communities and events in the U.S. and abroad with overwhelmingly
positive results.
Jeni has studied West African drumming, dance and drum circle
facilitation extensively, including training in Senegal, West Africa.
Bringing enthusiasm and creativity to any event, Jeni is sensitive to
the needs of the group and able to work with people of all ages,
backgrounds and abilities. Jeni’s passion for drumming is matched only
by her playful spirit and commitment towards building community.

DRUMMM...Empowering communities through rhythm & play!
Jeni Swerdlow, ATR
510.316.2850
jeni@drummm.com
www.drummm.com

posted in DRUM! - 0 replies

Learning to use brushes

angus — Tue, 28 Mar 2006 22:31:42 GMT

hey whappy people,
I have a gig coming up playing some standards for a friends wedding. "Let's do it", "Aint Misbehavin'", that sort of thing. Stuff that cries out for playing with brushes. And I just never bothered to learn how to use 'em properly. I can get a decent enough sound by just playing 'em like regular sticks, but I want to finally get a handle on the swirly, swooshy move that the lite jazz and lounge cats do. Any sites, videos, etc. that can help?

posted in DRUM! - 9 replies

WEIRD PERCUSSION Tribe formed

looppool — Thu, 07 Sep 2006 03:01:20 GMT

WEIRD PERCUSSION TRIBE formed
tribes.tribe.net/weirdpercussion

Today in a hardware store, I found myself staring at a whole display full of magnets of different sizes
while waiting for some keys to be made for me. Because lately I"ve been on this kick to take normal
cymbals and gongs and extract new sounds out of them, I've been fascinated by putting chaing and
other rattles on them.

Anway, I have three sets of these super magnets that you throw in the air to make weird buzzing sounds as
they attract to each other when it occured to me that it might be really cool to put each one of these
magnets on opposite sides of a cymbal. Sure enough, you can cause some really cool faux distortion
sounds out of the cymbals.

Then I tried it on a small pitched wind gong. I struck the gong and then moved the magnets and got the
coolest sound to come out of it.

I just wanted to share it with someone and realized that there was no place to officially do so at Tribe,
so I decided to start the WEIRD PERCUSSION TRIBE.

Come join me if it sounds interesting. tribes.tribe.net/weirdpercussion

posted in DRUM! - 3 replies

Paralounge Drum Gathering Nov. 2006 Florida

ParaLounge — Tue, 29 Aug 2006 13:27:42 GMT

Check out the awesome line up of talent at the upcoming Paralounge Drum Gathering. If you are into the drum circle and indigenous instruments, then you should check out this event. The official website is www.paralounge.net It has all the up to date info on everything. Check out the photo archive we have started on the Paralounge.tribe.net website also. There is a lot of drum circle activity happening in Florida and around our region. This event is where you can meet and communicate with a large variety of this community. It is low cost and high quality. We hope to see you there!

posted in DRUM! - 0 replies

Keith's cymbals

DarkSneak — Thu, 25 May 2006 21:09:56 GMT

Anybody know what type of cymbals Keith Moon used to bash? I heard somewhere they were Formula 602's but he ended up cracking them all the time. I'm just curious to know if he was a Paiste endorser or if Zildjians were his cymbals of choice. More trivia, please....

posted in DRUM! - 6 replies

Sacred Fire Circle Magic on the Playa!! One Night Only!!

AbigailSpinnerMcBride — Fri, 18 Aug 2006 18:01:37 GMT

BURNINGMAN 2006
2nd ANNUAL SACRED FIRE CIRCLE ALCHEMY
ONE NIGHT ONLY!
Start: 11pm Wednesday, 8/30
Conclusion: Sunrise, Thursday 8/31

Since the dawn of time, human beings have gathered
around the fire to drum, sing, trance dance and to
weave magic in the light of fire. This year's BM theme
of "The Future: Hope and Fear", offers each of us the
opportunity to powerfully invoke our hopes for the
future and to cast our fears and those beliefs that do
not serve us into this alchemical fire.

We use the word Sacred in the title of this Experience
to infer deep, deep levels of gratitude and respect for each
other, for ourselves and for life. You are encouraged
to explore, maintain and/or cultivate whatever
worldviews work for you, so long as they are mutually
respectful of everyone in the circle.

We will provide this sacred space in the same general
Playa locations last year's all-night Sacred Fire Circle -
approximately 300 yards to the Southeast of the spine
(visualize 2 o‚clock on the dial), a few minutes
bicycle ride beyond the Temple).

Please bring:
drums/percussion instruments (we will have a lockable
trailer at the Circle on Wednesday so as to facilitate
early delivery of drums), warm clothes and enough
water and food to keep yourself nourished. The Sacred
Fire Circle is a potent cauldron for making real-world
magic! Please join us.

For more info: johnny@peakexperience.cc
Jeff@McBridemagic.com

posted in DRUM! - 0 replies

About My Music Classes for Kids...

bambinonymous — Thu, 17 Aug 2006 01:51:53 GMT

I'm a Licenced Kindermusik Educator. I teach at Sonoma County Children's Music in Santa Rosa.
www.childrenlovemusic.com

I'm a drummer from SF, & used to be in a bunch of bands, toured a lot, recorded alot, yada yada yada---

But now, I teach a unique, age appropriate music program for infants, toddlers, preschoolers & young children in Sonoma County, CA.

I wanted to give a shout to let everyone know I am enrolling NOW for my fall semester. I'm offering classes on Saturdays (in Santa Rosa) as well as on Thursdays and Fridays in Petaluma, at the Petaluma Community Center.

I need help filling my classrooms this fall, with lots of smiley faced cuties, and cool grown-ups..... by that I mean, hip parents/caregivers/grandparents... You know, like some TRIBE NRG..

Sooo
If you, or anyone you know might be interested in joining me... Please---

Check out my school website to download a fall schedule, as well as tuition information and an enrollment form at www.childrenlovemusic.com

For more info about Petaluma Classes:
- visit activenet4.active.com/petalumarec/
- click on the "view activities" button to the left of the screen
- in the search boox, type "Kindermusik"
- a list will appear with my classes to choose from in Petaluma.

Should you have questions or comments--- feel free to contact me directly.
I can tell you more about Kindermusik, more about my background, and describe the classes I'm offering in more detail.

Later, Alligators... and THANX :)

Musically Yours,
Bambi Nonymous
(a.k.a. "Miz Marianne")

BTW: If you are a working parent, you are certainly welcome to have your caregiver or nanny bring your child to classes if you can't always attend. Also, Grandparents love to attend Kindermusik, as it makes for quality time together with the grandkids!

:::click:::

posted in DRUM! - 0 replies

Rhythmic Roots: HUGE Drum Circle in New Orleans Aug. 27!

TZ — Wed, 16 Aug 2006 22:51:40 GMT

Rhythmic Roots: HUGE Drum Circle in New Orleans Aug. 27!

Please spread the word to all drummers everywhere!

Be a part of the healing of New Orleans on the 1-year anniversary of Hurricane Katrina. Join us and help revive and honor the musical culture of New Orleans. Thousands of drummers from all over the world will gather at historic Congo Square on Sunday, August 27 for this FREE all-star event.

Featured guests will include:
- Ken "Afro" Williams' Drum Circle
- Cyril Neville & Tribe 13
- Voice of the Wetlands All-stars featuring Tab Benoit, Cyril Neville,
Monk Boudreaux, Anders Osborne, and others
- Kirk Joseph's 504 Brass Band
- Soul Rebels Brass Band
- Big Chief Victor Harris
- Big Chief Markeith Tero

But the soul of the event will be you - drummers from near and far, pro and non, on drums, claves, maracas, tambourines - bring whatever helps you find your groove! Travel to New Orleans and help support the local economy!

Rhythmic Roots @ Congo Square is presented by Mercy Corps: Mercy Corps continues to respond to profound needs along the Gulf Coast, bolstering nonprofits serving children and evacuees, helping New Orleans neighborhoods plot their return and promoting cultural events and programs that support children's emotional recovery. (http://www.mercycorps.org/)

For more info on this event, updates and more join us at:

http://groups.myspace.com/rhythmicroots

posted in DRUM! - 0 replies

Miguel ‘Angá’ Díaz - RIP

revo101 — Sun, 13 Aug 2006 07:51:29 GMT

I am shocked and saddened to about the death of the great Cuban conga player Miguel ‘Angá’ Díaz who died unexpectedly at his home in Barcelona on 9th August 2006, he was 45. I saw him play in London on 15th April 2006, and was blown away by his virtuosity and range of style.

With his explosive soloing and inventive five conga patterns, Angá’ was widely regarded as one of the world’s great congueros. He was committed to the development of the conga drum, breaking down traditional percussion barriers to perform traditional latin rhythms, jazz, jungle and hip-hop, whilst retaining his distinctly Cuban roots.

Angá began playing prodigiously early, performing and recording professionally whilst still at college. He made his name as part of the pioneering Latin jazz group Irakere and it was with them he perfected his five drum technique. Emerging in the mid-nineties as an independent musician Angá was free to diversify and pursue a variety of different projects - from the experimental jazz of Steve Coleman and Roy Hargrove, to hip hop with Orishas, to his tours with Omar Sosa, and numerous side projects with musicians from all over the globe, Angá’s musical journey was a personal quest to explore and create new sounds and rhythmic fusions.

More than just a performer, Angá further demonstrated his commitment to the development of his instrument by teaching master classes at various schools and universities across North America and Europe. Angá produced a tuition video in 2000 which explained many of his techniques and his philosophy behind playing, it won Percussion Video of the Year from Drum Magazine. Angá would continue to teach on a regular basis and built up a network of students from his base outside of Barcelona.

Angá’s first project with World Circuit was the hugely influential Afro Cuban All Stars album recorded in 1996 which showcased the depth and vitality within Cuban music. Angá became an integral part of World Circuit’s extended Buena Vista family adding his trademark sound to albums from Rubén González, Ibrahim Ferrer, Omara Portuondo, Guajiro Mirabal, and the second Afro Cuban All Stars record. Angá’s own musical vision would emerge with the release of the album ‘Cachaíto’ an inspired union of Afro-Cuban jazz, reggae, hip hop and funk which he recorded with the Cuban bass legend Cachaíto López. Building from the foundations laid by Cachaíto’s record, and incorporating elements of his own Santeria religion, Angá would finally fulfil his dream in 2005 with the release of his critically acclaimed album ‘Echu Mingua’, an exciting fusion of styles blended together the ‘Cuban way’ and is a fitting testament to the career of one of the great musical innovators.

posted in DRUM! - 1 reply

The Original Drummer Curse

angus — Wed, 03 May 2006 13:42:18 GMT

Hey Whappers,
Here's a phenomenon I have noticed over the years: Good band, loses original drummer, sucks afterwards. Well, maybe not sucks, but declines noticeably. And their music gets all soft and marshmallowy.
The Who is the obvious template here. And no slight on the drummers that (bravely) sat in Moon's chair. (Simon Philips for one, is a God.) But the group just never recovered from the loss of their Original Drummer.
So.....
Tom Petty and the Heartbreakers
REM
Pearl Jam
Blue Oyster Cult
Smashmouth
AC/DC (although thank the Goddess Phil Rudd returned)
Dire Straits
Def Leppard (sorry. Just kidding)
Jefferson Airplane
Shonen Knife

And.......?

posted in DRUM! - 8 replies

Porkpie acryllic drums....

Chaska — Mon, 03 Jul 2006 07:52:22 GMT

just got a new Porkpie acryllic drum........13X7 amber/orange.....sounds fantastic! Anyone heard or played ?

posted in DRUM! - 0 replies

About time.

Thu, 01 Jun 2006 19:21:51 GMT

A real multi zone trigger.. i want, i want.. around a grand tho owch.. http://synesthesiacorp.com/home.html

posted in DRUM! - 1 reply

NYC Drummers-jam with Mickey Hart!

crunchy — Fri, 14 Apr 2006 17:33:16 GMT

Hello there,
Next Friday night the Mutaytor will be playing a special concert at Grand Central Station with the incredible Mickey Hart (Grateful Dead, Planet Drum) and Baba Maal, and we need local hand drummers w/ Djembes, KlongYaw's or any mobile hand drum to join us!

If you or anyone you know is interested, send an email to me at crunchy@mutaytor.com as soon as possible. We're looking for 30 local hand drummers to join us, but an audience filled with New York's hoopers, spinners (no fire but flags and led ok for this one) and drummers making beautiful rhythm with Mickey and Baba would be momentus.

I'll need your name and a contact phone number for the list- then we'll meet at 4pm at the stage.
Spread the word, and can't wait to be in NYC!!

Friday, April 21st 2006
Earth Day New York - Green Apple Grand Central
Earth Fair outside Grand Central
Vanderbilt Ave & 42nd Street
www.earthdayny.org/earthday_2006.html
5:00pm - 5:45pm
Free Show - All Ages Welcome

The Mutaytor with Mickey Hart and Baaba Maal!!! Mutaytor will be doing an OLD-SCHOOL drumjam in the streets of New York City...All Ages, Free Admission, and we'll be joining Micky Hart from Grateful Dead and world music legend Baaba Maal! This would be a great one to bring your playa costumes, drums, hoops, and play play play with us!! Lets shut down traffic and bring Grand Central Station to a grinding halt!!!! This will be drums/vocal chants only....a trip to the old days of Mutaytor!

posted in DRUM! - 4 replies

New Philly Samba Tribe

LaDonna — Sat, 13 May 2006 01:43:24 GMT

Hi everybody. I have been working hard in this project that I am in, and
I would love to share it with you.
I am a member now in a Brazilian samba school, here in Philadephia.
I have started a new tribe to promote our events and the events of those
that we are connected to in the Brazilian, Afican, and Cuban communities.
My goal is to make this tribe into THE place to go for reliable information
on stuff going on, including workshops and classes.
I am very excited to be in this group. I am on Surdo now, and I am learning
snare. The more I learn, the more I want to. I'm very happy.
Anyway, if you are close to Philly area, or might be touring thru, and this is
your cup of tea, please come and join our tribe. I promise to keep things
up-to-date. Chau!

http://tribes.tribe.net/unidosdefiladelfia

posted in DRUM! - 1 reply

"Touch the Sound: A Sound Journey with Evelyn Glennie" on KPFA SUN night at 10 pm.

janeO — Sun, 14 May 2006 04:46:32 GMT

How does a woman who is profoundly deaf become a Grammy Award-winning musician?
This question is the impetus for a whirlwind trip around the world to experience life
through the passionate words and vibrant experiences of renowned percussionist
Evelyn Glennie.

"Touch the Sound: A Sound Journey with Evelyn Glennie,"
the new film by Thomas Riedelsheimer, director of "Rivers and Tides,"
will be showcased on SUN on KPFA-FM at 10 pm with host Jane Heaven
on Sunday Night Live/ Discreet Music.
KPFA streams to the web at KPFA.org

The film is amazing and the radio presentation will be a sound scape experience.
Out soon on DVD

posted in DRUM! - 0 replies

When did all y'all start drumming?

angus — Mon, 28 Nov 2005 17:18:07 GMT

My long-suffering Mom claims that I was a drummer in utero. I used to kick along in time to the radio. She thought I would become either a drummer or a soccer player. Turns out I did both.
Every year for Christmas I would get a new toy drumset and every year I would have destroyed it by New Years. :-)
So my family finally relented and bought me a full-size kit when I was 7.

How 'bout YOU? When did you first get your skins?

posted in DRUM! - 10 replies

What sticks do you use?

hoco — Tue, 04 May 2004 21:12:34 GMT

I have used Promark Oak 7As for the last 20 years of drumming at least. Back then I bought 12 pair and they lasted me until about five years ago. Then I bought 6 pair more and some of them broke over the next few years.

Recently I bought 4 brand new pairs and last night I broke 5 of those 8 new sticks during the course of one four-hour gig! Honestly, I break, like 1 stick each year! And I play the same
four-hour gig every couple of weeks, plus a few two-hour practices each month.

Has something happened to the quality of Promark sticks? I like 7As -- they're light and quick and quiet. I use the ones with the plastic tips.

Can anyone reccommend another 7A that is more durable?

Thanks. :-)

posted in DRUM! - 23 replies

Zurya Drum Collaboration from Bali

massivevibrations — Thu, 04 May 2006 03:42:12 GMT

Organic loves electronic

http://myspace.com/zuryadrumcollaboration

posted in DRUM! - 0 replies

santa cruz conclave needs drummers!

tica — Tue, 18 Apr 2006 04:07:45 GMT

santa cruz conclave needs drummers! we will be jamming weekly in may and part of june to perform in front of the man at burningman. We are developing a choregraphed 15 minute piece with fire dancers to submit a video to conclave by july 1st..Please contact me if you are interested and what your availability is. men are welcome too@! we are doing brasil.funk.hip hop. and jungle beats/
tica
shakingbootydancer@hotmail.com

posted in DRUM! - 1 reply

Ideas needed--- for a Drumming workshop for children

bambinonymous — Thu, 13 Apr 2006 04:56:29 GMT

Hiya Drummers on Tribe~

I teach babies, toddlers and pre-schoolers Kindermusik. Prior to teaching, I played drums for years in various bands.

The director at the school where I teach has asked me to create a DRUMMING workshop for kids ages 9-12 and teach it in the future.

As I work on creating a course outline, I could really use some fresh and inspiring ideas. I really want for this drum workshop to be a fun and amazing experience for the kids... so with that in mind, I invite you all to participate in my brainstorm! Please chime in and add ideas to this thread as you wish...

-What should be covered in a 75 minute class that meets once a week for five weeks?

-Home materials? Can anyone recommend a good drumming book? (Hand Drumming)

- What are some good drumming themed **crafts** or instrument making activity could we do?

- What is the best (and funnest) approach to teaching kids this age how to play in an 'ensemble'?

- Are there resources or examples of group drumming lesson plans for children online for me to refer to?

- Has anyone else here taught a drumming workshop for children? What are your thoughts and experiences?

Thanks in advance to anyone replies!

-bam

posted in DRUM! - 1 reply

Drumset Transcriptions

brewstu — Mon, 10 Apr 2006 16:05:42 GMT

Anyone know of a website that has drumset transcriptions for songs? My chops aren't great but I read music and can learn stuff quicker by reading difficult passages. Thanks in advance.

posted in DRUM! - 2 replies

Which player..

Eric — Fri, 07 Apr 2006 21:22:54 GMT

Hey group,
Which drummer or percussionist inspires you the most to play, and what is it about that musician that stands out more than any other to you?
Mine is Egyptian percussionist Hossam Ramzy, he's got funk, taste, and his tones and phrasings are creative and lyrical. He's my biggest influence.
I play Middle Eastern percussion, I like to bring that genre into many kinds of music.
He's the best percussionist in this way as he plays Arabic and brings all of that into many other forms.
He's done work with Peter Gabriel, Plant/Page, Chick Corea, and tons of his own great recordings.
Check out his web-site: http://www.hossamramzy.com
Listen to the samples from "Sabla Tolo" he's awesome.
-Eric

posted in DRUM! - 5 replies

New BM drummer tribe

K-THRILL — Tue, 04 Apr 2006 19:24:25 GMT

http://tribes.tribe.net/ambiancedrumming

For the BM drummers in '06 not affiliated with a specific fire conclave.

posted in DRUM! - 3 replies

where are you?

banjolismo — Sat, 13 Mar 2004 00:02:30 GMT

I'm in oakland

posted in DRUM! - 41 replies

SWEET!!

nick — Sat, 25 Mar 2006 02:10:28 GMT

I finally found it. A tribe dedicated to drumming in it's entirety. Ah, I feel so relieved, . . . at home. I have been playing for 13 years now. I play a standard 5 piece, with some extra cymbals and toys and whatnot. Ne ways, so what's the typical Genre YOU like to play??? I think I have the most fun playing Jam band type stuff. Getting together with a group of guys you have been playing with for a while, (or some folks you just met for that matter) and just fakin' it until it makes itself, and just flowing off the cuff but right in the groove the whole time, that's gotta be my favorite feeling!! I enjoy many different genre's and just wondered what everyone else is into!!??? Keep beatin' those skins!!! Peace

posted in DRUM! - 2 replies

The Ultimate Adventure

Eric — Sat, 18 Feb 2006 23:22:24 GMT

Hey group,
I just bought an awesome cd today, Chick Corea's latest album "The Ultimate Adventure."
This has wonderful compostions, a mix of jazz, Spanish and Arabian music, the production is beautiful and the musicianship is HUGE. Everything on it is creative and tasteful.
Two of my favorite percussionists play on it, Egyptian percussionist Hossam Ramzy, and Brazilian percussionist Airto Moreira.
For you trap players, this album features Steve Gadd and Vinnie Colaiuta.
Carles Benavent on Bass really stands out.
-Eric

posted in DRUM! - 1 reply

Trap set, hand drum, or both?

angus — Mon, 28 Nov 2005 17:23:19 GMT

Hey gang,
I started out on traps, but found I was 'missing something' by my mid twenties. So I found a good drum teacher (the 7th one I tried, BTW, I love my town), learned the basic bass/tone/slap and joined a percussion ensemble for 4.5 years. (I still have way more gigs as a conga player than a kit drummer.) After 4 years though I found that I was missing the rest of the instruments, and, truth be told, the ego of being the only percussion in the band. So I went back to the kit, although I still occasionally do some volunteer gigs with the congas.

How about everyone else? Are you all exclusive, questioning, or full-blown hybrids between kit and hand?

posted in DRUM! - 5 replies

Weirdest Project I ever did....

angus — Tue, 17 Jan 2006 17:43:44 GMT

Hey fellow whap-heads,
I think all manner of percussion is valid. Triangle player in the school band to Rush circa 1982, everyone finds their niche and keeps the time. What I'm interested here though is the times when you are not in your niche. What has been your biggest stretch as a musician? Conga player that had to sub in at a thrash show? Fusion kit player that sat in with a belly dance troupe? Computer-based looper who led a dance party in a field by drumming on the cooking pots?
What was the time when you were most out of your comfort zone? And how did it go?

posted in DRUM! - 2 replies

SLICK Ensemble

evilexbluedevil7 — Tue, 17 Jan 2006 16:21:27 GMT

What do ya'll think?

http://www.vicfirth.com/features/DCI2005/video/IandE_scv2HQ.html

posted in DRUM! - 0 replies

new to drumming

Fri, 30 Dec 2005 02:24:26 GMT

I just got my first kit, it's an oldie but maybe a goodie?? Not sure. It's a "Remo" and I am the third owner....I'm told it could be 20 years old...Anyone got any info?

Also, what is the best way to learn to play??

Thanks for your advice!!

I still need to buy a foot pedal for the bass and some cymbals..... : )

posted in DRUM! - 9 replies

Don't forget the real heavys

Masala Imports — Sat, 14 Jan 2006 01:03:07 GMT

Don't forget the real heavys
Gene Hoglan,Dave culross,raymond herrera

posted in DRUM! - 0 replies

a quick survey (which would you preferr...)

JasonP — Sat, 25 Jun 2005 19:35:41 GMT

a 4pc kit or an 8 pc kit?
a brass snare or a wood snare?
single pedal, or double pedal?
nylon tip or wood tip?
clear or coated heads?
dry or washy cymbals?
acoustic or electric?
wrap or non-wrapped?
muffeled kick or laundry-free?

posted in DRUM! - 13 replies

AFRICAN DRUMS

saffronstrawberry — Sat, 29 Oct 2005 16:50:45 GMT

hey all. new to tribe.net and just stumbled on this one. i have recently started african drumming and was wondering if anyone else here used a small hand-held drum colloquially called 'the three voices' drum in southern africa? anyone have any tips on what to use to relieve stuff fingers?

posted in DRUM! - 5 replies

Paiste, Zildjian or Sabian (and any others). And why?

DarkSneak — Mon, 12 Jul 2004 01:28:30 GMT

You gotta have a preference, right? I'd like to know why you prefer the cymbals you prefer.

posted in DRUM! - 20 replies

Cymbalic!?

Will — Sat, 03 Dec 2005 04:09:59 GMT

Did you know...
That the name for Sabian, came from the first two initals of the names of the younger Zildjian kids?

Sally, Billy and Andy as I recall!

Just a fun fact.

ciao

posted in DRUM! - 3 replies

Arm Strengthening

LaDonna — Wed, 26 Oct 2005 15:43:01 GMT

Hi, I'm new to the tribe, and had a question.
I am currently learning several different drum
styles(African, Brazilian, Cuban). I am right
handed, so I know that I lead with my left,
which is fine, but I have noticed that my left is
really weak in delivery-comes down softer, and
gets off time. What kind of exercises can I do
to strengthen my left?

posted in DRUM! - 19 replies

Monday night music and fire

chugiak907 — Sat, 19 Nov 2005 07:44:40 GMT

Drums, guitars, voices, fire dancing. Bring your drum, love for community, improvisation, and jamming. Switch up a typical bland Monday night for something fresh at the Launch Pad.
Every Monday night, 8pm
Location: 3833 Marti Luther King Jr. Way, Oakland

posted in DRUM! - 0 replies

Drummer needed in metro Detroit

jackieblue — Thu, 10 Nov 2005 15:50:25 GMT

Jackie Blue is looking for a new full time drummer in the metro Detroit area. We're a rock band with a funk groove and a female lead singer that sounds like Grace Slick. After two CD's we've just started writing for our third.

If you have great groove, are interested in playing shows throughout the midwest (Michigan, Ohio, Indiana, Illinois, New York), can rehearse twice a week, and are reliable, please check out our website for song samples and additional information: www.JackieBlue.com

posted in DRUM! - 0 replies

My hybrid setup..

Wed, 09 Nov 2005 19:24:55 GMT

My latest project needed acoustic/electronic setup. So along with my kit i have some triggers with a D5 controlling a laptop running ableton live.. works well..

http://www.rhythminmind.net/gallery/albums/ftpupload/Kit%202005/Picture%20004%20%28Medium%29.jpg

http://www.rhythminmind.net/gallery/albums/ftpupload/Kit%202005/Picture%20006%20%28Medium%29.jpg

http://www.rhythminmind.net/gallery/albums/ftpupload/Kit%202005/Picture%20060%20%28Medium%29.jpg

more pics
http://www.rhythminmind.net/gallery/thumbnails.php?album=10

posted in DRUM! - 0 replies

Freestyle Drum Circles

rickcormier — Sun, 30 Oct 2005 19:36:29 GMT

Facilitated Drum Circles are the mainstream. As a result, you'll find books, workshops, websites, newsgroups, videos and magic-decoder rings dedicated to promoting facilitated circles. It has its place. It can be fun and only a trained drum circle facilitator can get hundreds of non-drummers drumming in any organized fashion.

But many of us prefer non-facilitated, or "Freestyle" drum circles.

We prefer to be 'led' by the music. Many of us prefer intuitive and emotive rhythms over traditional ones.

No books are written about how best to achieve what we do. There are no gurus dispensing Freestyle wisdom or credentials. There is no money in Freestyle Drum Circles. Only fun and spirituality and creativity and catharsis and shared leadership and community.

Conscious cooperation.

I've just launched a new Yahoo group called "Freestyle Drum Circles." It is my hope that it will provide freestyle drummers everywhere with a way to share information, ideas, challenges and experiences. You can also share files and links and photos. If freestyle drum circles interest you, check it out...

http://groups.yahoo.com/group/fre...rumcircles

Rick Cormier
synthrick.tripod.com/dddc/

posted in DRUM! - 0 replies

Are you bringing a Djun Djun to Burning Man?

Fri, 12 Aug 2005 18:43:01 GMT

Everybody has djembes. Anybody bringing some booming bass djun djuns?

posted in DRUM! - 6 replies

Any thoughts on Pork Pie kits and or snares

Chaska — Wed, 12 Oct 2005 05:48:57 GMT

wondering if anyone plays Pork Pie and or any thoughts or opinions.

posted in DRUM! - 3 replies

Cruise ship Orchestra experience??

drumgirl — Tue, 04 Oct 2005 03:06:27 GMT

I'm thinking about getting into the cruise ship drumming thing and was just wondering if anyone has ever tried that before and if there were any thoughts as to preparations, practice tips, etc.

Thanks!

posted in DRUM! - 1 reply

The New TD-20 V-Drum

GabrielsPath — Sat, 26 Mar 2005 07:04:14 GMT

Does anyone know where to get one of the TD-20's for less than $5000? I bought a V-session about 2 and half years ago and now they have the new one. Kind of sucks, but oh well. I just played the new one though and it's amazing.

posted in DRUM! - 6 replies

inexpensive / good double pedal

Sat, 30 Jul 2005 23:20:40 GMT

what are your recommendations on a good-yet-reasonably-priced double pedal?

the one i use now (brand name slips my mind) is decent, but doesn't quite cut the mustard as far as "action" is concerned.

posted in DRUM! - 4 replies

Electronic kit

sky — Mon, 05 Sep 2005 20:23:49 GMT

I live in an apartment and can't have an acoustic kit.
So I've been looking on eBay at the Roland TD 20S model for the lowest noise level.
I really like the mesh pads and cymbals, it seems to have everything but quite expensive.
Any info or suggestions?

posted in DRUM! - 2 replies

Hand Drum Instructors wanted for Burning Man

Mon, 01 Aug 2005 22:02:40 GMT

The Temple of the Quik Fix is a new BM camp dedicated to aerial arts, fire arts and hand drumming. I'm looking for experienced drum instructors and drum circle leaders who would like to conduct sessions on the playa. We are located at Esplanade and Feedback Loop (the road around Center Camp). We will get a lot of foot traffic and I thought it would be great to offer lessons to newbies, guided drum circles, etc. I have three djembes, a doumbek, a cajon, a mini conga, a tabla, a slit drum, a talking drum, and I'm working on a deal to get about 10 inexpensive djembes for loaning at our lessons. We will have a dome with a mister that should be a nice spot for drumming.

If you are interested, please message me directly.

Thanks.

P.S. I would also like to hear from more experienced drummers for various drum events.

posted in DRUM! - 17 replies

Gretsch

Sat, 30 Jul 2005 22:16:01 GMT

Im thinking of maybe getting a gretsch kit. what are your thoughts on the Catalina kit?

posted in DRUM! - 1 reply

Time Keeping

harryk — Thu, 02 Jun 2005 21:13:14 GMT

Hi. I created a free practice aid for working on your meter/time keeping. It will be especially helpful for people that don't have a drum machine. Tribe is the first place I have shared it publicly.

Here is the link:
http://www.kniznik.com/Metermaker.html

I hope you find it useful. Feedback appreciated.

Thanks,

Harry

posted in DRUM! - 3 replies

Santa Cruz ca

miss_individualist — Mon, 18 Jul 2005 05:33:50 GMT

Any drum circles in the area?

posted in DRUM! - 0 replies

What do you recommend for a drum kit?

hoco — Sat, 23 Apr 2005 15:57:17 GMT

I'm thinking of buying a new drum kit, after over 30 years on the same old blue Slingerland kit. I will obviously go and play on any kit I'm thinking of buying -- I would never just buy one from a catalog.

I am not a 'loud' drummer. I play with 7A sticks -- mostly blues-rock with some latin and other genres. I play in a gigging band, so I'm looking for a small kit that is easy to put together and take apart. What also matters to me is a really good sound, which, of course, is impossible to define (at least for me) but I'll know it when I hear it (I hope.)

What do you play? Do you like it? What don't you like about it? What else should I be considering? All opinions are welcomed -- thanks for your consideration.

posted in DRUM! - 10 replies

mapex pro m

crowfeather — Thu, 26 May 2005 11:12:06 GMT

i am looking into buying a new set. i havent had one for about 5 years. the mapex pro m has caught my eye. i was wondering if anyone has had any experience with that kit.

posted in DRUM! - 6 replies